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HOTEL TRANSYLVANIA BELLHOP TORRENT

Chekhov's Skill: Early in the film, Mavis is proven to have impressive Super Hearing even for a vampire.This is lampshaded by the Drac Pack, who voice reluctance in covering for them, even flirting with the idea of just telling Mavis and saving themselves the headache, though they wuss out of it at the last second. Can't Get Away with Nuthin': Yet again, Johnny and Drac try to keep Mavis out of their shenanigans and fail spectacularly.Johnny treats their trek through the Amazon as a fun getaway while Drac suffers through dehydration, mosquitos, plummeting from great heights multiple times and various panic attacks brought on by his sudden fragility. Brought Down to Normal: Dracula spends most of the film as a fragile, non-powered human and a lot of slapstick in the film revolves around this.Breaking Old Trends: Transformania is the first feature film in the franchise to have No Antagonist.Bookends: The film begins and ends with the hotel being built.However, he doesn't realize the same doesn't apply to his eyes as he stares at the sun before complaining about them burning. Blinded by the Sun: After becoming human, Dracula finds out that he can safely step into the sunlight and not get burned.He is initially delighted to see her, but one mention of her father causes him to attack her in a blind rage. Mavis tries getting through to him at one point. When he learns Dracula lied about the monster inheritance law on the hotel, he snaps and transforms into a colossal dragon.

HOTEL TRANSYLVANIA BELLHOP TORRENT

The Berserker: As the Monsterfication Ray progresses, Johnny begins having fits of feral behavior - shooting a huge torrent of flames, and ripping a tree to shreds with his claws.

The rest of the Drac Pack think his human form is the worst of the bunch and Eunice is absolutely horrified, but Frank himself loves it, especially the hair.

Played straight with Frank when he is transformed into a conventionally handsome man by human standards.

Griffin even alludes to this trope by stating there was a "good-looking guy" in Johnny. From the Drac Pack's perspective, Johnny's monster form is much more visually appealing than his human form.

Art Shift: At the end when Johnny and Mavis show Drac the "minor adjustments" they made when they rebuilt the hotel, the animation goes from computer-generated to Genndy Tartakovsky's typical 2-D cartoon style, as interpreted by David Feiss.

So, he's thoroughly and rightfully pissed when he learns Drac lied about the monsters-only clause, meaning he didn't have to transform himself into a scaly, green monster at all. All for Nothing: Johnny basically threw his humanity away in order to get Drac to leave him the hotel and finally accept him as family.